George S. May Business Blog

Online radio stations will live to “spin” another day

If you had concerns about the future of some of your favorite Internet radio sites, you probably won’t after reading below.

“The future of Internet radio appears more secure after a handful of online stations reached an agreement Tuesday to head off a potentially crippling increase in copyright royalty rates.

The deal is the product of two years of negotiations between webcasters and copyright holders. In March 2007, a ruling by the federal Copyright Royalty Board dramatically raised the rates that Internet radio stations must pay artists and recording labels – leading many online radio stations to warn that the new rates would put them out of business by eating up as much as 70 percent of revenue.

At least one popular online radio service – Pandora Media of Oakland, Calif., which derives much of its revenue from advertising – said the new agreement will help ensure its survival.

“For us, it’s hard to overstate how significant this is,” said Pandora founder Tim Westergren. “It was either this or an ugly alternative.”

The revenue-sharing deal announced Tuesday is between SoundExchange, a nonprofit that collects royalties for recording copyright owners from digital radio services, and three smaller webcasters: radioIO, Digitally Imported and AccuRadio.

Westergren said Pandora plans to sign on to the new royalty terms too. And Jonathan Potter, executive director of the Digital Media Association, which represents webcasters and other online media companies, predicted some of the association’s other members will also join the deal.

Under the agreement, large commercial webcasters will pay copyright owners up to 25 percent of their revenue or a “per-performance” rate that is below the rates set by the Copyright Royalty Board. Smaller webcasters will pay either a percent of revenue or a percent of expenses.

In a statement, SoundExchange executive director John Simson said the deal will give webcasters a chance to “flesh out various business models” and give artists and other copyright holders the opportunity to “share in the success their recordings generate.”

Lawmakers also praised the agreement. Congress has already passed legislation making any deal reached between webcasters and SoundExchange legally binding. Because Internet radio companies operate under a government license, these deals need congressional authorization.

Already this year, SoundExchange struck new online royalty agreements with the National Association of Broadcasters and the Corporation for Public Broadcasting.

Traditional AM and FM broadcasters are exempt from copyright royalty rates for over-the-air radio play, because that airplay is thought to provide free promotion for artists and labels. But the broadcasters are subject to the new rates for any songs streamed over radio station Web sites.” (source)

This incredibly important for the health of the music industry moving forward. With major labels dominating the airwaves (through illegal payola agreements), so many dj’s spinning on traditional radio have been stripped of their right, and furthermore responsibility, to seek out and play great new music. For the up and coming independent artist, the internet is their only chance as the likeliness of them getting their music played by an online radio station is far better than it being played on traditional AM/FM radio.

Related posts:

1. Pirate Radio In an advisory report two economy professors are urging the Spanish government, (and hopefully eventually many governments) to rethink new anti-piracy legislation currently being drafted...


2. Mustang 5.0 back for another spin Look who’s back! “The Mustang 5.0 or as purists prefer to call it, the 302, makes a comeback for the 2011 model year with the...


3. NY Times to start charging for online content in 2011 — Will they survive the change? The New York Times has decided to begin erecting a pay-wall, so to speak, starting in 2011. Basically, non-paying NYT-online readers will be limited to...